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Ducklings in Disguise

You know the story of the Ugly Duckling of course, who didn’t look like his family but grew into a beautiful swan? Well, this is a true story of three little chicks who are going to grow into beautiful ducks, as told by Susannah Leigh.

It all started when my friend Nic’s very favourite chicken, Rosie became broody. Rosie laid some eggs and sat on them very carefully for a very long time. But the eggs didn’t hatch and Nic realised that they were probably never going to. Sometimes they just don’t.

Poor Rosie – all that patient waiting for nothing.

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Language & Literature

Tarragon: the Snake in your Kitchen

Even if you are not a budding chef, you might have heard of this herb. It can be used in all sorts of ways in cooking, especially with chicken, eggs and fish. And if you are fortunate enough to have tried French cuisine, you may have had it in Bearnaise sauce.
 But where did the name come from? You might think it looks very English, but in fact, this word has had quite a journey to reach us in the form it is today in English.

 

“Tarragon” first appeared in this form in the 1530s, but it came from an earlier English form; taragon. This was formed from the Middle French term targon, which came from Medieval Latin tragonia. But the story doesn’t end here. There is an intriguing twist in the tale.

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Language & Literature

Talking in Text

Text speak is very confusing for a lot of people, but it is one area in which children and teenagers are far more advanced than adults.  Mobile phones and the internet are recent inventions.
Imagine what it was like for your parents as children.  If your parents are 30 years old, the internet did not exist for them!  Mobile phones were only invented in 1973 but did not become common for 15 or 20 years.  The first ones cost thousands of pounds and were the size of house bricks!

 

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Sports

Stories from the Stables Part 2 – Topper. Ouch!

Our Stories from the Stables series from Carolyn Ward continues with a  flea-bitten grey with a shocking attitude.

 

Topper.  I swear that pony could scowl.

It was my week to ride him, and I had just hauled him all the way down to the outdoor school and stood him in the middle to check his girth and stirrups.  As I reached under to tighten up the girth he turned his head toward me and eyeballed me, then stepped over with his nearside foreleg; and stamped on my left foot.

I hissed a very rude word and frantically pushed him to move him off. My foot sunk into the woodchip surface with his heavy weight crushing it down.  By now he was still looking directly at me, so I started punching his shoulder to try and get him to step off.  Today’s teacher was a crosspatch I have no fond memories of; if she had found out about it I’d have been bawled out for having my foot in the wrong place or something.

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Art & History

How To Look At Art

how to look at art

Have you got a favourite painting? Mine is ‘A Portrait of the Countess Golovine’ painted by Elisabeth Vigee-Lebrun, sometime around 1797. It is, unsurprisingly, a portrait of Countess Varvara Nikolaevna Golovine, a talented musician and artist from Russia. Elisabeth and the Countess became great friends and I love the way the Countess is smiling in the portrait, with a red shawl draped around her shoulders and her dark curly hair swept up in behind a scarf. The painting belongs to the Barber Institute of Fine Arts, Birmingham, which is one of my favourite galleries.
Elisabeth-Vigee-Lebrun-Portrait-of-Countess-Golovine-Oil-Painting
I love going to art galleries and looking at paintings, but at first I found it quite a daunting thing to do. Have you ever been to an art gallery and not known where to start? Or heard art critics talking about symbolism, composition and form but not understood? Sometimes looking at art can sound difficult, and talking about it can be a whole other language!
But looking at art doesn’t have to be complicated. Things like symbolism, where objects in paintings are used to represent something that’s happening, like a skull symbolising death, can be important and the composition, or the way things in the painting are arranged, can tell us a lot about the artist and why the painted what they did.

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